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Luis Miguel Goitizolo

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RE: ARE WE NOW IN THE END TIMES?
5/31/2018 10:51:38 AM

Russia Hints ISIS-Linked Forces Operating In US-Controlled Zones In Syria — Photos Already Show US Protecting Terrorists In Tanf

"Choose a job you love and you will not have to work a day in your life" (Confucius)

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Luis Miguel Goitizolo

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RE: ARE WE NOW IN THE END TIMES?
5/31/2018 5:38:45 PM

Poland Offers $2 Billion for Permanent US Military Base

"Choose a job you love and you will not have to work a day in your life" (Confucius)

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Luis Miguel Goitizolo

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RE: ARE WE NOW IN THE END TIMES?
6/1/2018 10:33:08 AM
More than 20 nighttime explosions have rocked rural Pennsylvania since April. No one knows why.



The 1200 block of Lonely Cottage Road in Upper Black Eddy, Pa. (Google Maps)

The early-morning blast on Mother’s Day was big enough to stop nature itself, if only for a moment.

A blast wave at 3:35 a.m. rippled through the woods around Lonely Cottage Road in Upper Black Eddy. Frogs stopped croaking. Crickets ceased chirping. And Nick Zangli loaded a gun to defend himself from whatever it could be.

He found an eerie quiet following what he would later call “a very large explosion” in that part of rural Pennsylvania. The next day, someone found a four- or five-foot-wide crater, about a foot deep, alongside a back road shaded by dense trees. Debris was scattered along the pavement, Zangli told ABC affiliate WPVI.

“We shoot guns and pop fireworks up here for fun, but this was above and beyond,” Zangli said, perplexed, outside his Upper Black Eddy home.

He’s not the only one baffled — and that was hardly the only mystery blast.

There have been at least 19 others in Upper Bucks and Lehigh counties since April 2, and state troopers and ATF investigators are at a loss to publicly explain what is going on.

Here is what is publicly known.

All of the explosions occurred between 1 a.m. and 4:30 a.m. over the past two months, and no one has been injured by any of the blasts, according to a statement provided by the state police. The explosions are intentional and not anything caused by geologic, construction or any other means, Allen said.

That’s about it.

Charlene Hennessy, a spokeswoman for the Bureau of Alcohol, Tobacco, Firearms and Explosives, said Wednesday that the agency was involved in the investigation in a limited capacity but did not offer details about the federal response, which includes agents from the FBI.

Yet Hennessy previously speculated about the cause, telling Lehigh Valley Live that the blasts could have been caused by large amounts of explosive firearm targets called Tannerite — which are sold legally and not regulated by ATF. Tannerite-brand targets are sold as separate components that, when combined, can produce a small explosion.

The barn is obliterated in the video.

“I would not be surprised if that’s what it turns out to be,” Hennessy told local media, referring to Tannerite.

Still, the paucity of information has left locals to speculate about the nighttime blasts, with guesses including satellites falling from the sky and illegal drilling.

Sue Crompton said an April 30 explosion shook the earth and rattled the windows in a trailer home shared with her mother.

“It practically knocked me out of bed,” Crompton told Philly.com. “Your mind goes to meteorites or people making bombs. I just don’t want anyone to get hurt.”

Zangli, who was jolted in Upper Black Eddy on Mother’s Day, does not believe the explosions are nefarious.

But he’s worried about what could result if they continue.

“Probably kids that come up with a formula to blow stuff up, and you know it’s cool to watch something blow up,” he told the local ABC outlet, “but you could kill somebody in the process.”

(The Washington Post)

"Choose a job you love and you will not have to work a day in your life" (Confucius)

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Luis Miguel Goitizolo

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RE: ARE WE NOW IN THE END TIMES?
6/1/2018 10:45:42 AM


Jesse Nichols / Grist

ART ON ICE

Zaria Forman draws the glaciers we’re losing



In 2016, Zaria Forman got the opportunity of a lifetime. Officials at NASA reached out to the Brooklyn artist — who hand draws massive, pastel landscapes depicting polar ice — and invited her to join their IceBridge operation.

According to Forman, as part of IceBridge, NASA scientists have flown over the same parts of the Arctic and Antarctic each year for the past decade, mapping the geography of ice with lasers, infrared sensors, digital photography, and a gravimeter (which measures gravity). The survey helps the researchers estimate the magnitude of sea-level rise.

Haiwatha Basin, Greenland. 60 x 90 inches, soft pastel on paper, 2017. Zaria Forman

“When they emailed and said, ‘Hey, we love your work. Would you like to come fly with us?’ I was like, ‘Excuse me? This has to be a hoax,’” Forman tells Grist, as she sits in front of a massive mural depicting Greenland’s Jakobshavn Glacier, which was installed on the side of a building in Telluride, Colorado, for this weekend’s Mountainfilm festival.

Grist caught up with Forman at Mountainfilm to discuss how climate change became the subject of her work and the role of art in communicating the scope and seriousness of warming. This conversation has been edited and condensed for clarity.

Q. How did you get started making art about climate change?

A. I went to Greenland in 2007 with my family. My mother was a landscape photographer, so we traveled to really remote places once a year for about a month my whole life growing up. Thatʼs what instilled a love of landscape in me, and thatʼs why I started drawing landscapes.

In 2007, climate change was not a topic of discussion in the United States like it is now; but in Greenland, it was an everyday thing. The people visiting were either scientists coming to study the ice, or newscasters coming to write about it, or government officials coming to learn. The locals have to deal with it on a daily basis and adapt their lifestyle in order to survive. Thatʼs what opened me up to recognizing how massive, on a global scale, the climate crisis is. At the same time, I was looking for a more specific purpose to focus my work. I felt like that was a conversation that needed to be addressed in art.

Q. And this mural of the Jakobshavn Glacier — that must have come out of your NASA experience. What’s significant about this particular glacier?

A. Itʼs probably one of the most famous glaciers in the Arctic. Itʼs one of the largest, fastest-moving glaciers. And the speed at which it’s moving has sped up significantly in the last 10 to 20 years. The face of the glacier has been retreating an exorbitant amount. It dumps so many icebergs into the ocean that they make up about 10 percent of all the icebergs in the Arctic. So, it’s a huge factor in terms of what we can expect for sea-level rise.

And it has a more personal meaning for me. Like I said, I visited Greenland for the first time with my family in 2007, and that’s the first time I ever saw a glacier — this glacier, actually. And I was planning a trip with my mother to go back five years later to the same location and travel farther north. And while we were planning the trip, my mother ended up getting brain cancer and passing away before we were able to carry it out. I ended up carrying out the trip in her honor, and she asked me to spread her ashes into the fjord where this glacier dumps its icebergs. So it’s a very special place for me.

Q. How do you make your drawings look so realistic?

A. Time plays a big part in my work. Itʼs that one moment where the light looks stunning, with the fog in the background and the waves, and the little penguin leaps into the water. There are these really short moments — even if itʼs five minutes or the one second that my shutter clicks. Then I go back into the studio and take that one moment and draw it out, both literally and figuratively, into several weeks or sometimes months.

Itʼs a way for me to connect these places that I love very much, and I hope that connection will translate to the viewer and allow them to have a piece of that as well.

Getz Ice Shelf, Antarctica. 40 x 60 inches, soft pastel on paper, 2018. Zaria Forman

Q. What do you hope people take away from your art?

A. Art has a special ability to tap into people’s emotions. I think it’s harder for scientific facts, graphs, and numbers to achieve that same emotional effect. I’m trying to connect people with this massive crisis on an emotional level. Because what’s happening in Greenland — these places at the forefront of climate change — is pretty far from most of our everyday lives.

I’m trying to recreate these landscapes in all of their minute detail. That’s why I draw them at such a large scale, so that I can imbue them with as much detail as I possibly can and show people something they’ve never seen before, but that does affect their everyday lives in a more abstract way. I try to portray the beauty of these places, not the destruction, so we can fall in love with how insanely gorgeous these places are. The hope is that seeing the work will help make an emotional connection and spur positive action.

Q. Why do you think NASA reached out, beyond admiring your work?

A. It was interesting to me that NASA was reaching out to me, a little artist in Brooklyn, to come flying with them and spread the word — like my little social media following is something they need. NASA is huge, and it was shocking to me to understand that they needed help communicating their message. The more I learned, the more I realized, “Oh right, we’ve been studying this for years and still half of our general public doesn’t really understand or believe what’s happening.”

We are still faced with this challenge of how to communicate the importance of the changes that are occurring, the importance of what this massive mission is doing, and the funding that they need to continue studying what’s happening so that we can prepare for the future. It confirmed for me that what I was trying to do is actually important. Once NASA put their stamp on it, I was like, “OK, this is important, I’m on the right path.”

Q. Sometimes we need that outside confirmation to realize the point of what we’re doing.

A. I think as an artist, and even as just one human being in this massive world, it’s like, “What difference can I make?” But really, any little difference matters. I’ve built up somewhat of a following, so I have this group of people who are listening to what I do, and I feel like I have a certain voice. But I feel like I’ve learned that if you’re really inspired by what you’re making, it will come out in the work — and that’s what people are moved by.


(GRIST)

"Choose a job you love and you will not have to work a day in your life" (Confucius)

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Luis Miguel Goitizolo

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RE: ARE WE NOW IN THE END TIMES?
6/1/2018 5:36:39 PM

ISIS supporter who encouraged attack on Prince George admits guilt

Updated 1835 GMT (0235 HKT) May 31, 2018


London, UK (CNN)A British ISIS supporter, who called for jihadis to attack 4-year-old Prince George, pleaded guilty to terrorism offenses Thursday, two weeks into his trial at a court in London.

In a dramatic U-turn at Woolwich Crown Court, 32-year-old Husnain Rashid admitted he had carried out a string of terror offenses, including engaging in conduct in preparation for terrorist acts and encouraging terrorism. He had maintained his innocence since his arrest in November 2017.
Rashid wrote messages online encouraging militants to carry out attacks, including posting a picture of Prince George -- son of the Duke and Duchess of Cambridge and third in line to the throne -- next to a superimposed silhouette of a jihadi fighter, the Crown Prosecution Service (CPS) said.
    He also gave the full address of the young prince's school in southwest London, which the boy began attending last September, and wrote: "even the royal family will not be left alone."


    Prince George arrives for his first day of school with his father Prince William on September 7.
    All of the offenses relate to Rashid's online activities between October 2016 and November 2017, the CPS said. He will be sentenced on June 28.
    During that time, Rashid also encouraged attacks on a number of other targets including soccer stadiums, British Army bases, shopping centers and Jewish communities, and suggested injecting poison into supermarket ice creams, Britain's Press Association reported.
    Rashid had also made plans to travel to Turkey and Syria, intending to fight in territories controlled by ISIS, the CPS said, adding that he had sought advice on how to reach Syria and obtain the authorization he would need to join a fighting group.


    An artist's sketch shows Husnain Rashid during his trial.
    He had also provided information about how to shoot down aircraft and jam missile systems to an individual already in Syria, according to the CPS.
    Following Rashid's revised plea, Judge Andrew Lees said the trial had heard the "most disturbing allegations" and told Rashid a very lengthy prison sentence was "inevitable" and a life sentence would be considered, according to PA.


    (CNN)



    "Choose a job you love and you will not have to work a day in your life" (Confucius)

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