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Thomas Richmond

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Re: + Other/Continue / Loudon Wainwright III
8/17/2007 1:15:09 AM
Thank you Nick, very strong words with a great American Eagle, thank you kindly my brother! http://www.youtube.com/watch?v=XB81CczTEdw          
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Thomas Richmond

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Re: + Other/Continue / TOM PETTY
8/17/2007 2:00:19 PM
Upon the release of their first album in the late '70s, Tom Petty & the Heartbreakers were shoehorned into the punk/new wave movement by some observers who picked up on the tough, vibrant energy of the group's blend of Byrds riffs and Stonesy swagger. In a way, the categorization made sense. Compared to the heavy metal and art rock that dominated mid-'70s guitar rock, the Heartbreakers' bracing return to roots was nearly as unexpected as the crashing chords of the Clash. As time progressed, it became clear that the band didn't break from tradition like their punk contemporaries. Instead, they celebrated it, culling the best parts of the British Invasion, American garage rock, and Dylanesque singer/songwriters to create a distinctively American hybrid that recalled the past without being indebted to it. http://www.youtube.com/watch?v=uLDLM0mnP4w Tom-Petty-bnr01.jpg

The Heartbreakers were a tight, muscular, and versatile backing band that provided the proper support for Petty's songs, which cataloged a series of middle-class losers and dreamers. While his slurred, nasal voice may have recalled Dylan and Roger McGuinn, Petty's songwriting was lean and direct, recalling the simple, unadorned style of Neil Young. Throughout his career, Petty & the Heartbreakers never departed from their signature rootsy sound, but they were able to expand it, bringing in psychedelic, Southern rock, and new wave influences; they were also one of the few of the traditionalist rock & rollers who embraced music videos, filming some of the most inventive and popular videos in MTV history. His willingness to experiment with the boundaries of classic rock & roll helped Petty sustain his popularity well into the '90s. http://www.youtube.com/watch?v=g-8qyoVssNQTom-Petty-bnr04.jpg

Born and raised in northern Florida, Tom Petty began playing
music while he was still in high school. At the age of 17, he dropped out of school to join Mudcrutch, which also featured guitarist Mike Campbell and keyboardist Benmont Tench. By 1970, Mudcrutch had moved to Los Angeles with hopes of finding a record contract. The fledgling Shelter Records, founded by Leon Russell and Denny Cordell, offered the group a contract. However, Mudcrutch splintered apart shortly after relocating to L.A. Cordell was willing to record Petty as a solo act, but the singer's reception to the idea was tentative. Over the next few years, Petty drifted through bands, eventually hooking back up with Campbell and Tench in 1975. At the time, the duo were working with bassist Ron Blair and drummer Stan Lynch; soon, Petty became involved with the band, which was then named the Heartbreakers. Petty was still under contract to Shelter, and the group assumed his deal, releasing Tom Petty & the Heartbreakers in 1976.
My Home Town.. (Tom R.) I picked this to show you my stomping grounds of my youth , dont know the guy, but you can see my old house next to hwy 134, nevermind the ending part, lol. http://www.youtube.com/watch?v=i18nSZBgOfs
Tom-Petty-ms01.jpg
Initially, the band's debut was ignored in the United States, but when the group supported it in England with a tour opening for
Nils Lofgren, the record began to take off. Within a few months, the band was headlining its own British tours and the album was in the U.K. Top 30. Prompted by the record's British success, Shelter pushed the album and the single "Breakdown" in the U.S., this time to success; "Breakdown" became a Top 40 hit and "American Girl" became an album-oriented radio staple. You're Gonna Get It, the Heartbreakers' second album, was released in 1978 and it became the group's first American Top 40 record. Petty & the Heartbreakers were poised to break into the big time when they ran into severe record company problems. Shelter's parent company, ABC Records, was bought by MCA Records, and Petty attempted to renegotiate his contract with the label. MCA was unwilling to meet most of his demands, and halfway through 1979, he filed for bankruptcy. Soon afterward, he settled into an agreement with MCA, signing with their subsidiary Backstreet Records. Released late in 1979, Damn the Torpedoes was his first release on Backstreet.
http://www.youtube.com/watch?v=Y-gVVGD7j3ETom-Petty-ww01.jpg
Damn the Torpedoes was Petty's breakthrough release, earning uniformly excellent reviews, generating the Top Ten hit "Don't Do Me Like That" and the number 15 "Refugee," and spending seven weeks at number two on the U.S. charts; it would eventually sell over two million copies. Though he was at a peak of popularity, Petty ran into record company trouble again when he and the Heartbreakers prepared to release
Hard Promises, the 1981 follow-up to Damn the Torpedoes. MCA wanted to release the record at the list price of 9.98, which was a high price at the time. Petty refused to comply to their wishes, threatening to withhold the album from the label and organizing a fan protest that forced the company to release the record at 8.98. Hard Promises became a Top Ten hit, going platinum and spawning the hit single "The Waiting." Later that year, Petty produced Del Shannon's comeback album Drop Down and Get Me and wrote "Stop Draggin' My Heart Around" as a duet for himself and Stevie Nicks. Featured on her album Bella Donna, which was recorded with the Heartbreakers' support, "Stop Draggin' My Heart Around" became a number three hit. Petty & the Heartbreakers returned late in 1982 with Long After Dark, which became their third Top Ten album in a row. Following its release, bassist Ron Blair left the band and was replaced by Howie Epstein, who previously played with John Hiatt. http://www.youtube.com/watch?v=if5VQ1t0g0Q
Tom-Petty-ww02.jpg
Petty & the Heartbreakers spent nearly three years making
Southern Accents, the follow-up to Long After Dark. Hiring Eurythmics' Dave Stewart as a producer, the band attempted to branch out musically, reaching into new territories like soul, psychedelia, and new wave. However, the recording wasn't easy -- at its worst, Petty punched a studio wall and broke his left hand, reportedly in frustration over the mixing. Southern Accents was finally released in the spring of 1985, preceded by the neo-psychedelic single "Don't Come Around Here No More," which featured a popular, pseudo--Alice in Wonderland video. Southern Accents was another hit record, peaking at number seven and going platinum. Following its release, Petty & the Heartbreakers spent 1986 on tour as Bob Dylan's backing band. Dylan contributed to the lead single "Jammin' Me," from the Heartbreakers' next album, Let Me Up (I've Had Enough), which was released to mixed reviews in the spring of 1987. Just after the record's release, Petty's house and most of his belongings were destroyed by fire; he, his wife, and two daughters survived unscathed. One of My favorite Petty Song http://www.youtube.com/watch?v=yHJMp5bz9u8 
Tom-Petty-ww04.jpg
During 1988, Petty became a member of the supergroup the Traveling Wilburys, which also featured
Dylan, George Harrison, Roy Orbison, and Jeff Lynne. The Wilburys released their first album at the end of 1988 and its sound became the blueprint for Petty's first solo effort, 1989's Full Moon Fever. Produced by Lynne and featuring the support of most of the Heartbreakers, Full Moon Fever became Petty's commercial pinnacle, reaching number three on the U.S. charts, going triple platinum, and generating the hit singles "I Won't Back Down," "Runnin' Down a Dream," and "Free Fallin'," which reached number seven. In 1990, he contributed to the Traveling Wilburys' second album, Vol. 3. Petty officially reunited with the Heartbreakers on Into the Great Wide Open, which was also produced by Jeff Lynne. Released in the spring of 1991, Into the Great Wide Open sustained the momentum of Full Moon Fever, earning strong reviews and going platinum. http://www.youtube.com/watch?v=6Ceg2wPUGDITom-Petty-01.jpg

Following the release of 1993's
Greatest Hits, which featured two new tracks produced by Rick Rubin, including the Top 20 hit "Mary Jane's Last Dance," Petty left MCA for Warner Bros.; upon signing, it was revealed that he negotiated a 20 million deal in 1989. Drummer Stan Lynch left the Heartbreakers in 1994 as Petty was recording his second solo album with producer Rubin and many members of the Heartbreakers. Like Full Moon Fever before it, 1994's Wildflowers was greeted by enthusiastic reviews and sales, tying his previous solo album for his biggest-selling studio album. In addition to going triple platinum and peaking at number eight, the album spawned the hit singles "You Don't Know How It Feels," "You Wreck Me," and "It's Good to Be King." Petty & the Heartbreakers reunited in 1996 to record the soundtrack for the Edward Burns film She's the One. The resulting soundtrack album was a moderate hit, peaking at number 15 on the U.S. charts and going gold. Echo followed three years later. 2002 saw the release of The Last DJ, a scathing attack on the corporate greed inherent in the music business. It was followed in 2006 by Highway Companion.
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Thomas Richmond

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Re: + Other/Continue / Randy Bachman- BTO
8/17/2007 11:13:40 PM
Randy Bachman was the guitarist for Canada's first hard-rock band, the Guess Who, formed several years before the term "hard-rock" was coined. When hard-rock became fashionable, they recorded three albums, Wheatfield Soul (RCA, 1969), Canned Wheat (RCA, 1969) and American Woman (RCA, 1970), that established them among the premier hard-rock acts in the world (respectively These Eyes, Undun, American Woman). Promotional image of Randy Bachman from 2005

Bachman left Guess Who to launch his solo career, with Axe (RCA, 1970), and to form his own band, Brave Belt, which recorded two albums, I (1971) and II (1972). When bassist Fred Turner joined the band, the Bachman-Turner Overdrive was born. Their first album with the new name, Bachman Turner Overdrive (Mercury, 1973), offered solid boogie. II (Mercury, 1974) was heavily influenced by the Who (Takin' Care Of Business). Not Fragile (1974), their masterpiece, contains You Ain't Seen Nothin' Yet and Roll On Down The Highway. After the mediocre Four Wheel Drive (1975), the band tried to reinvent itself on Head On (1976), which couples traditional numbers such as Take It Like A Man with more sophisticated pieces such as Lookin' Out For Number One. After Freeways (1977), Bachman left the band and launched a new project, Ironhorse, which released Ironhorse and Everything Is Grey. The band reunited for BTO (Compleat, 1984).

The precursor to BTO was the band Brave Belt, formed in 1970 by Randy Bachman-guitar and Chad Allan-keyboards/vocals (both of The Guess Who), Robbie Bachman-drums and C.F. "Fred" Turner-bass/vocals. An original plan included Keith Emerson of The Nice, though he was dropped due to illness. After two moderately successful Brave Belt albums, Allan was replaced by Tim Bachman, the third of the Bachman brothers, and the band changed its name to Bachman-Turner. Shortly afterward, Randy noticed a copy of a trucker's mazagine called Overdrive in a roadside restaurant, and the name Bachman-Turner Overdrive was born.

BTO released their eponymous self-titled first album in the spring of 1973. The album broke through in the US via border towns such as Detroit and Buffalo, but failed to produce a hit single. http://www.youtube.com/watch?v=fF7ZanvRlLM 

On an interview track released with the Live BTO King Biscuit Flower Hour recording (1998), Randy proclaimed that the signing of BTO's first album was a stroke of luck. After the demo tape had been rejected by 26 labels, Bachman was prepared to tell the other band members that they would no longer be able to remain on salary. But in April of 1973, Charlie Fach of Mercury Records returned to his office (from a lengthy stay in France) to find a pile of unplayed demo tapes on his desk. Wanting to start fresh, he grabbed a trash barrel and slid all the tapes into it -- except one, which missed the barrel and fell on the floor. Fach picked up the tape and noticed Bachman's name on it. He remembered talking to Bachman the previous year, and told him that if he ever got a demo together to send it. After playing the first song on the 7-1/2 inch reel ("Gimme Your Money Please"), Fach immediately called Bachman to tell him of his intention to sign the band. http://www.youtube.com/watch?v=QU0SwYK0vco

Their second album, Bachman-Turner Overdrive II, was released in December of the same year and became a massive hit in the US and their native Canada. It also yielded their best-remembered single, "Takin' Care of Business" written by Randy Bachman. BTO were one of the early hard rock bands which opted for songs backed by catchy melodies and powerful riffing. The band also promoted a strait-laced lifestyle due to the Mormon religious beliefs of Randy Bachman.

Tim Bachman left because of limited performance skills and personal lifestyle issues, and was replaced by Blair Thornton. The first album with the modified lineup, 1974's Not Fragile, became a hit, including the #1 single "You Ain't Seen Nothing Yet" and AOR hit "Roll on Down the Highway". The band continued to steadily produce successful albums through the mid-1970s including Four Wheel Drive and Head On (both 1975). http://www.youtube.com/watch?v=oq7HxaAxF78

After the release of Freeways in 1977, Randy Bachman left the group for a solo career and another band, Ironhorse. Randy was replaced by bassist/vocalist Jim Clench, formerly of April Wine. Original bassist Turner moved to rhythm guitar/vocals, with Thornton becoming the primary lead guitarist. This BTO lineup released a pair of albums (Street Action - 1978 and Rock & Roll Nights - 1979) before breaking up. http://www.youtube.com/watch?v=xL0Sw-DH4ak

BTO reunited in the 1980s, leading to a lawsuit between the brothers, as one group, led by Randy, toured as Bachman-Turner Overdrive and another, led by Robbie, toured as BTO (Robbie Bachman, Fred Turner, Blair Thornton, and Randy Murray). Interestingly enough in 1984 the line up for Bachman-Turner's first studio LP in 5 years consisted of Randy and Tim Bachman, Fred Turner and former Guess Who drummer Garry Peterson. In 1986 they were the opening band for the newly reformed Van Halen. By that time Fred Turner had left the band, probably to join the "other" BTO. Robbie Bachman's BTO toured and performed until December 2004. No further plans for the band to appear are currently known, so it would be a reasonable assumption that they have retired from live performances.Photo

Bachman-Turner Overdrive's music lives on today, and continues to be featured in movies and in advertising campaigns. Randy Bachman recently published an autobiography, and "BTO" has been featured more than once in southern humorist Ed Williams' books. Bachman-Turner Overdrive has also been featured on an episode of The Simpsons titled "Saddlesore Galactica." http://www.youtube.com/watch?v=zVMzyct2Ox4

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Re: + Other/Continue
8/18/2007 3:00:07 AM

Hello There Thomas

   I know you love the blues Brother.

        I can see it in your eyes.

   So follow this link my Friend

        And see how  this old guitar cries

http://www.youtube.com/watch?v=lLhdS-8-YS8&mode=related&search=

Sincerely, Billdaddy

May a smile follow you to sleep each night and,,,,,be there waiting,,,,,when you awaken http://community.adlandpro.com/forums/8212/ShowForum.aspx Sincerely, Billdaddy
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Thomas Richmond

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Re: + Other/Continue
8/18/2007 10:46:19 AM
Yes I do Pop. love the blues brothers Jake and Elroy, thanks for the video Bill. Enjoy your day my friend...Elwood and Jake Blues and the Bluesmobile
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