Dear Friends,
As posting at forums goes, something that frequently makes me sad is seeing how a good, very special and dear topic as this one is ends up little by little deserted by its followers. Sometimes this occurs all of a sudden, in particular when there has been a specific cause for it, such as has been the case here (but fear not, this time I will not say a word about it). Now maybe it is too late to revive this one; but the fact is, I have been wanting to post some other works by Winslow Homer than those already exhibited. I could even add a little biographical information about the artist, and, since the real owner of this topic is, in fact, Roger, I might do it in a way that looks like a casual commentary...
I read somewhere that unlike most of the artists of his time, Winslow Homer did not favor for a painter to study the works of other painters. Furthermore, he recommended that young artists never see other art works lest their own work might suffer in the process, and they end up adopting another's style or, still worse, some 'ism' in vogue at the time as their own.
And he lived by his teachings. He would very rarely, if ever, look at other painters' works, especially after he decided to put up an atelier and work independently as a painter - mainly as a watercolor painter. From them on, he simply set to the task of building his own style of painting in a vigorous and most inspired manner yet not on purpose but, I think, spontaneously, rather as a natural process of discovering his own style. I can imagine how it would be like. He naturally loved to paint, and he wanted to perfect his way of depicting what he saw and how he saw it. He would resort to his natural aptitudes and his own likes and dislikes as to the motives and mediums he used in order to methodically advance in his career and his art. He would do "what he could with what he had where he was"... The result could not be other than total, personal success.
I guess all great artists and musicians and writers were like that. They were not followers; they were - not always, but mainly - followed.
I will continue tomorrow, if possible, with posting the paintings.
Thank you,
Luis Miguel Goitizolo