Poker tip from the “Mad Genius”, Mike Caro
1. In poker, you need to adapt. Whether advice is good or bad for a
particular poker situation depends on (1) your opponents, (2) your
image, and (3) your bankroll. Some proven plays may not be good ones
against certain opponents. For instance, I advocate making many “value
bets” at high risk when you’re only a slight money favorite. When you
do this, you’re pressing your advantage to extract every possible penny
of profit.
Weaker players will not always press their advantages, and - worse -
they will act aggressively with some hands that don’t warrant a bet or
a raise. That costs them money. But if you do know that a value bet is
profitable (and it isn’t really a value bet otherwise), I believe that
you should bet. OK, but beware.
If your image is not correctly suspicious, you’re not going to get
many calls, and you often shouldn’t bet medium-strong hands for value.
And if your bankroll is too limited, you should forego some aggressive
plays targeted at small profit but involving great risk. That way,
you’ll hang on to your bankroll and can use those funds to make more
money when you have bigger edges. In poker, you need the right tool for
right now. A hammer may be a good tool for driving a nail into a
shingle, but it’s not right for driving a meat thermometer into a
roasting turkey. Today we’ll look at some of the good advice from the
previous 37 weeks, and explain when it’s bad.
2. Betting second pair on the flop. I advise that often you can do
this profitably in hold’em if (1) your foes are timid, (2) you have a
big kicker, or (3) the top rank is small (all previously explained in
other lectures). But don’t bet second-high board pair if your opponents
look uninterested. If they’re acting, this monumental tell means that
they’re waiting to pounce. And even if they’re not acting, you have
little motive to bet. So, bet second pair often, yes. Don’t bet it
against opponents who don’t seem to be paying attention.
3. Bet weak hands. On the last betting rounds, bet hopeless or
nearly hopeless hands into opponents whose hands are apt to be equally
bad. You’ll often win with that bet and avoid losing to slightly better
hands in showdowns. This concept suggests that whenever you’re
reasonably sure that neither you nor your opponent has a very strong
hand, you’ll make more profit in the long run by betting than by
checking and risking a showdown. But, consider your opponent. Don’t bet
your weakest hands if you might be REbluffed. You won’t be able to
call, assuming that your opponent doesn’t conspicuously overuse this
tactic. So, try this play only against opponents with seemingly weak
hands who are not aggressive or imaginative.
4. Be fun. If opponents enjoy playing with you, they’ll usually give
you more of their money. But sometimes you can build an image that’s
too carefree - and then your opponents may become inspired and play
tighter and better, hoping that you’ll be their salvation. I’ve seen
this happen many times. Opponents are losing and playing badly. You try
to encourage them to continue by playing a few hands even worse.
Usually this works, but beware. If you’re against opponents who do know
how to play a strong conservative game, you might have just inspired
them to come back to their senses - thinking that they can get even
from you now. Remember, the object of a wild image is to get opponents
to play loosely and carelessly, not tightly and selectively.
5. Tournament advertising. In a poker tournament, advertise before
the limits increase. This gives you psychological value at a reduced
price. But sometimes, advertising isn’t right at all in a tournament.
If the increasing limits are going to cause your opponents to be
bluffable in the next higher-limit round, you often should take
advantage of that by maintaining a solid image now. Also, you need to
have a full table when you bluff; otherwise, you’re paying for
advertising that probably isn’t reaching a wide enough audience. And
make sure that your table isn’t going to be the next one to break
before you advertise. Otherwise, all of the people you’ve “set up” will
be scattered around the tournament arena, and you’ll get little or no
value for your advertising.
6. Benefits of a wild image. A wild and reckless image not only
profits from more calls, it tends to discourage bluffs through
intimidation. Players don’t like to bluff opponents who seem not to
care about money. But sometimes, a fun-loving opponent will get caught
up in your routine and will bluff a lot - just for fun. In this case,
your image has enticed more bluffs from that opponent - and you should
call more.
7. Playing against blind bets. You should tend to attack the blinds
less when the players defending them are aggressive and unpredictable.
“Tight and passive” are the best blinds to attack, for many reasons
previously explained in my lectures. But, you sometimes should send a
warning to aggressive and unpredictable foes on your left by raiding
their blinds from late positions. Remember, these players to your left
have a positional advantage over you on most hands, and you may
diminish their will to maximize their positional advantage on other
hands when they’re not the blinds. So, although the advice to be less
aggressive in attacking blinds of opponents who defend them is valid,
there’s also a time when you might want to attack those blinds, simply
to make those opponents less aggressive in the future. Strange game,
poker.-MC
You can chat and play with the “Mad Genius”, Mike Caro, every Wednesday night at 9:30pm ET in the Bounty Tournament at Doyles Room.com.