William Patrick Roberts
Feeding the seagulls (1974)
William Roberts (5 June 1895 – 20 January 1980) was a British painter of groups of figures and portraits, and was a war artist.
Taken from Wikipedia
Education and early career
Son of an Irish carpenter and his wife, Roberts was born in Hackney, London. In 1909 he took up an apprenticeship with the advertising firm of Sir Joseph Causton Ltd, intending to become a poster designer, and he attended evening classes at St Martin's School of Art in London. He won a London County Council scholarship to the Slade School of Art in 1910. His contemporaries included a number of brilliant young students, among them Dora Carrington, Mark Gertler, Paul Nash, Christopher Nevinson, Stanley Spencer and David Bomberg.[1]
Roberts was intrigued by Post-impressionism and Cubism, an interest fuelled by his friendships at the Slade (in particular with Bomberg) as well as by his travels in France and Italy after leaving the Slade in 1913.[2] Later in 1913 he joined Roger Fry's Omega Workshops for three mornings a week, and the ten shillings a time that Omega paid enabled him to create challenging Cubist-style paintings such as The Return of Ulysses (now owned by Castle Museum and Art Gallery, Nottingham).[3]
After leaving Omega he was taken up by Wyndham Lewis, who was forming a British alternative to Futurism. Ezra Pound had suggested the name Vorticism, and Roberts's work was featured in both editions of the Vorticist literary magazine BLAST. Roberts himself, however, later preferred the description 'Cubist' for his work of this period.[4]
Revolt in the desert
Inveness Street Market, Campden Town
